2024-03-29T15:34:50Z
http://sdvcmr-prod-oai01:8080/oai/
oai:qucosa:de:qucosa:20316
2021-03-29T10:10:38Z
qucosa:ubc
doc-type:doctoralThesis
doc-type:Text
open_access
ddc:820
openaire
Indirect Influence of English on Kiswahili: The Case of Multiword Duplicates between Kiswahili and English
urn:nbn:de:bsz:ch1-qucosa-179613
eng
Some proverbs, idioms, nominal compounds, and slogans duplicate in form and meaning between several languages. An example of these between German and English is Liebe auf den ersten Blick and “love at first sight” (Flippo, 2009), whereas, an example between Kiswahili and English is uchaguzi ulio huru na haki and “free and fair election.” Duplication of these strings of words between languages that are as different in descent and typology as Kiswahili and English is irregular. On this ground, Kiswahili academies and a number of experts of Kiswahili assumed – prior to the present study – that the Kiswahili versions of the expressions are the derivatives from their English congruent counterparts. The assumption nonetheless lacked empirical evidence and also discounted other potential causes of the phenomenon, i.e. analogical extension, nativism and cognitive metaphoricalization (Makkai, 1972; Land, 1974; Lakoff & Johnson, 1980b; Ruhlen, 1987; Lakoff, 1987; Gleitman and Newport, 1995). Out of this background, we assumed an academic obligation of empirically investigating what causes this formal and semantic duplication of strings of words (multiword expressions) between English and Kiswahili to a degree beyond chance expectations.
In this endeavour, we employed checklist to 24, interview to 43, online questionnaire to 102, translation test to 47 and translationality test to 8 respondents. Online questionnaire respondents were from 21 regions of Tanzania, whereas, those of the rest of the tools were from Zanzibar, Dar es Salaam, Pwani, Lindi, Dodoma and Kigoma. Complementarily, we analysed the Chemnitz Corpus of Swahili (CCS), the Helsinki Swahili Corpus (HSC), and the Corpus of Contemporary American English (COCA) for clues on the sources and trends of expressions exhibiting this characteristic between Kiswahili and English. Furthermore, we reviewed the Bible, dictionaries, encyclopaedia, books, articles, expressions lists, wikis, and phrase books in pursuit of etymologies, and histories of concepts underlying the focus expressions.
Our analysis shows that most of the Kiswahili versions of the focus expressions are the function of loan translation and rendition from English. We found that economic, political and technological changes, mostly induced by liberalization policy of the 1990s in Tanzania, created lexical gaps in Kiswahili that needed to be filled. We discovered that Kiswahili, among other means, fill such gaps through loan translation and loan rendition of English phrases. Prototypical examples of notions whose English labels Kiswahili has translated word for word are such as “human rights”, “free and fair election”, “the World Cup” and “multiparty democracy”. We can conclude that Kiswahili finds it easier and economical to translate the existing English labels for imported notions rather than innovating original labels for the concepts.
Even so, our analysis revealed that a few of the Kiswahili duplicate multiword expressions might be a function of nativism, cognitive metaphoricalization and analogy phenomena. We, for instance, observed that formulation of figurative meanings follow more or less similar pattern across human languages – the secondary meanings deriving from source domains. As long as the source domains are common in many human\'s environment, we found it plausible for certain multiword expressions to spontaneously duplicate between several human languages.
Academically, our study has demonstrated how multiword expressions, which duplicate between several languages, can be studied using primary data, corpora, documentary review and observation. In particular, the study has designed a framework for studying sources of the expressions and even terminologies for describing the phenomenon. What\'s more, the study has collected a number of expressions that duplicate between Kiswahili and English languages, which other researchers can use in similar studies.
info:eu-repo/classification/ddc/820
ddc:820
Englisch; Swahili; Morphosyntax; Tansania
English, Kiswahili, Duplicate multiword expressions, English on Kiswahili, Loan expressionsi, Indirect loan influence, Widespread expressions, Anglicism, Englishzitation, Borrowing of expressions, Tanzania, borrowings, morphosyntax, multiword expressions
Swahili, Englisch, Tansania, Morphosyntax, Lehnwörter, Mehrwortausdrücke
Ochieng, Dunlop
Schmied, Josef
Van Roy, Bertus
Technische Universität Chemnitz
2015-10-22
2014-12-05
2015-02-04
info:eu-repo/semantics/openAccess
doc-type:doctoralThesis
info:eu-repo/semantics/doctoralThesis
doc-type:Text
https://monarch.qucosa.de/id/qucosa%3A20316
https://monarch.qucosa.de/api/qucosa%3A20316/attachment/ATT-0/
https://monarch.qucosa.de/api/qucosa%3A20316/attachment/ATT-1/
oai:qucosa:de:qucosa:20866
2021-03-29T10:17:44Z
qucosa:ubc
doc-type:doctoralThesis
doc-type:Text
open_access
ddc:820
openaire
„Knowing that Magical Things Were Still Living in the World“
urn:nbn:de:bsz:ch1-qucosa-233141
ger
Die vorliegende Studie beschäftigt sich mit dem Phänomen der zeitgenössischen kanadischen Geistergeschichten. Ausgangspunkt ist die außergewöhnlich hohe Anzahl an veröffentlichten Geistergeschichten, die es um bzw. seit Anfang der Jahrtausendwende gab. Die Besonderheit liegt darin, das Kanada gemäß seines Selbstverständnisses ein „matter-of-fact-country“ ist, das im Gegensatz zu seinem südlichen Nachbarn, den USA, weder Gründungsmythen noch eine reichhaltige Tradition an Schauerliteratur vorweisen kann.
Dieses Phänomen wird unter einer ästhetisch-ontologischen Perspektive untersucht. Mithilfe romantischer Philosophie (v.a. Friedrich J. W. Schelling), aber auch zeitgenössischen philosophischen Ansätzen sowie traditionellen Mythen kann erklärt werden, dass die Aufklärung und der damit einhergehenden rationalen rationalen Weltsicht, die nicht zuletzt die Kolonialgeschichte bestimmte, in sich begrenzt ist – schließlich kreiert die Aufklärung selbst einen neuen Mythos: nämlich den von ihrer Allmacht. In dieser Arbeit wird dargelegt, dass es ein menschliches Bestreben ist die Welt eben nicht nur rational und logisch zu betrachten. In diesem Sinne verstehen sich, so die These, die Geistergeschichten als ein längst überfälliges Gegenspiel zum rationalistischen Selbstverständnis der kanadischen Kultur. In diesem Zusammenhang setzt sich die Arbeit mit theoretischen Ansätzen wie der Schauerliteratur und des Magischen Realismus kritisch auseinander und schlägt vor eine pantheistische Lesart zu entwickeln (pantheistisch, da in den Geschichten alle übersinnlichen Kräfte der Welt immanent sind).
Diese Studie zeigt, dass die Geister andere Semantiken aufweisen als bei der konventionellen Schauerliteratur: Wo in klassischer Schauerliteratur die Geister eine Bedrohung darstellen, werden sie in den zeitgenössischen kanadischen Geistergeschichten als der Erde zugehörig aufgefasst. Es handelt sich also um eine lebensbejahende Form der Einschreibung von Magie in die (Lebens-)Welt, die zugleich dem menschlichen Bedürfnis nachkommt die Welt über Mythen – und keine rationale Sicht – zu erklären. Unter Betrachtung dieser Prämissen werden folgende Geistergeschichten untersucht: Tomson Highways „Kiss of the Fur Queen“ (1998), Eden Robinsons „Monkey Beach“ (2000), Kenneth J. Harveys „The Town that Forgot How to Breathe“ (2004), Joseph Boydens „Three Day Road“ (2005) und David Chariandys „Soucouyant“ (2007).
info:eu-repo/classification/ddc/820
ddc:820
Kanada; Geister; Gothic; Schauerliteratur; Mythos; Pantheismus
Kanada, Geister, Schauerliteratur, Magischer Realismus, Mythen, Pantheismus
Canada, ghosts, gothic, magical realism, myths, pantheism
Schlosser, Tobias
Sandten, Cecile
Knopf, Kerstin
Technische Universität Chemnitz
2018-02-07
2015-11-02
2016-06-14
info:eu-repo/semantics/openAccess
doc-type:doctoralThesis
info:eu-repo/semantics/doctoralThesis
doc-type:Text
https://monarch.qucosa.de/id/qucosa%3A20866
https://monarch.qucosa.de/api/qucosa%3A20866/attachment/ATT-0/
https://monarch.qucosa.de/api/qucosa%3A20866/attachment/ATT-1/
oai:qucosa:de:qucosa:21355
2021-03-29T10:22:54Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Snapshots of a Nation in Flux: James Robertson's And the Land Lay Still (2010)
urn:nbn:de:bsz:15-qucosa2-213556
eng
0171-1695
Mit seinem vierten Roman And the Land Lay Still hat James Robertson, einer der interessantesten Gegenwartsautoren Schottlands, ein politisches und gesellschaftliches Panorama des Landes seit dem 2. Weltkrieg entworfen, das dem Leser und der Leserin einen intimen und vielschichtigen Einblick in die Komplexität dieser Nation und ihrer neueren Entwicklung erlaubt. In seinem Beitrag bespricht Dietmar Böhnke (Leipzig) das Buch und ordnet es in Robertsons Werk und die schottische Gegenwartsliteratur ein.
Scotland, James Robertson, book review
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Universität Hildesheim
2015
info:eu-repo/semantics/publishedVersion
2018-06-01
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A21355
https://ul.qucosa.de/api/qucosa%3A21355/attachment/ATT-0/
oai:qucosa:de:qucosa:21356
2021-03-29T10:22:55Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:770
ddc:820
status-type:publishedVersion
openaire
Screening Scotland: The 'New' Scottish Film since the 1990s
urn:nbn:de:bsz:15-qucosa2-213567
eng
0171-1695
In seinem Überblick über das neue schottische Kino geht Dietmar Böhnke (Leipzig) auf die politischen, ökonomischen und kulturellen Gründe der 'Renaissance' nach und diskutiert eine Reihe neuerer Filme, neben international bekannten wie Brave Heart und Trainspotting auch andere, die die Themen und stilistischen Merkmale dieses Kinos typisch zum Ausdruck bringen, etwa Lynne Ramsays Morvern Callar und Ken Loachs
Ae Fond Kiss.
Scotland, Film, twentieth century
info:eu-repo/classification/ddc/820
ddc:820
info:eu-repo/classification/ddc/770
ddc:770
Böhnke, Dietmar
Universität Hildesheim
2008
info:eu-repo/semantics/publishedVersion
2018-06-01
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A21356
https://ul.qucosa.de/api/qucosa%3A21356/attachment/ATT-0/
oai:qucosa:de:qucosa:21357
2021-03-29T10:22:56Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
The Correspondence between Charles Dickens and Bernhard Tauchnitz: General Observations and Newly Discovered Letters
urn:nbn:de:bsz:15-qucosa2-213571
eng
0003-8970
The correspondence between Charles Dickens and Bernhard Tauchnitz (1816–1895), founder of the Tauchnitz Verlag in Leipzig, spans almost thirty years, between 1843 and 1870 – Dickens was one of the key authors in the Tauchnitz Edition, a series of books in English for Continental sale initiated in 1841. So far, only 29 of Dickens’s letters to Tauchnitz were known (and printed in the authoritative Pilgrim Edition), and none of the manuscripts could be consulted. In 1991, Gunter Böhnke discovered 34 of the original letters in Leipzig, of which 14 are unknown and seven others only in short extracts. This article briefly sketches the background of the relationship between Dickens and Tauchnitz, and reprints for the first time these 21 letters as transcribed from photocopies of the originals. In the footnotes, the other 22 known letters to Tauchnitz are also listed. As a whole, they illustrate Dickens’s interest in the publication of his works abroad (including payment for this, obviously), as well as his high regard for Tauchnitz. Among the personal information that can be glimpsed from the letters, the most interesting is probably Dickens’s son Charley’s two-year stay in Leipzig in 1853–4.
Charles Dickens, Bernhard Tauchnitz, letters, correspondence
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Erich Schmidt Verlag
2013
info:eu-repo/semantics/publishedVersion
2018-06-01
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A21357
https://ul.qucosa.de/api/qucosa%3A21357/attachment/ATT-0/
oai:qucosa:de:qucosa:23855
2021-03-27T11:27:03Z
qucosa:tud
doc-type:doctoralThesis
doc-type:Text
open_access
ddc:820
openaire
Shakespeare in China
urn:nbn:de:bsz:14-ds-1219421137948-00200
286945169
eng
Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright's plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese.
info:eu-repo/classification/ddc/820
ddc:820
Shakespeare in China: reception, translation, and performance. Case studies: "Richard III","Hamlet" and "Much Ado About Nothing".
Shakespeare in China: Aufnahme, Uebersetzung und Auffuehrung. "Richard III", "Hamlet" and "Viel Laerm um Nichts".
Sun, Yanna
Boeker, Uwe
Mohr, Hans-Ulrich
Huang, Alexander
Technische Universität Dresden
2008-08-22
2008-05-14
2008-08-22
info:eu-repo/semantics/openAccess
doc-type:doctoralThesis
info:eu-repo/semantics/doctoralThesis
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A23855
https://tud.qucosa.de/api/qucosa%3A23855/attachment/ATT-0/
oai:qucosa:de:qucosa:31940
2021-03-29T10:58:54Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Zašto Škoti trebaju vladati Škotskom?: Problem Škotske nacije i radovi Alasdaira Graya i Jamesa Kelmana
urn:nbn:de:bsz:15-qucosa2-319407
hrv
1330-3201
Alasdair Gray, James Kelman, Scotland
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Thema
1998
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31940
https://ul.qucosa.de/api/qucosa%3A31940/attachment/ATT-0/
oai:qucosa:de:qucosa:31942
2021-03-29T10:58:55Z
qucosa:ubl
doc-type:conferenceObject
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Brave New Scotland?: National Identity and Contemporary Scottish Fiction
urn:nbn:de:bsz:15-qucosa2-319429
eng
978-3-88476-976-8
Beitrag zum Anglistentag 2006 Halle
Scotland, scottish fiction, Proceedings
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Wissenschaftlicher Verlag
2007
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:conferenceObject
info:eu-repo/semantics/conferenceObject
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31942
https://ul.qucosa.de/api/qucosa%3A31942/attachment/ATT-0/
oai:qucosa:de:qucosa:31943
2021-03-29T10:58:56Z
qucosa:ubl
doc-type:conferenceObject
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
A Devolved Cinema?: The ‘New’ Scottish Film since the 1990s
urn:nbn:de:bsz:15-qucosa2-319433
eng
978-3-86821-332-4
Konferenzbeitrag zum Anglistentag 2010 Saarbrücken
Film, Scotland, Cinema, Proceedings
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Wissenschaftlicher Verlag
2011
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:conferenceObject
info:eu-repo/semantics/conferenceObject
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31943
https://ul.qucosa.de/api/qucosa%3A31943/attachment/ATT-0/
oai:qucosa:de:qucosa:31948
2021-03-29T10:59:00Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
The Lost Leipzig Letters: Charles Dickens, Bernhard Tauchnitz and the German Connection
urn:nbn:de:bsz:15-qucosa2-319483
eng
978-3-631-64158-3
Charles Dickens, Conference
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Lang-Ed.
2014
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31948
https://ul.qucosa.de/api/qucosa%3A31948/attachment/ATT-0/
oai:qucosa:de:qucosa:31944
2021-03-29T10:58:57Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
City of Muses
urn:nbn:de:bsz:15-qucosa2-319449
ger
978-3-631-60189-1
Anglosachsen, Felix Mendelssohn Bartholdy, Leipzig, englische Kultur
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Peter Lang
2010
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31944
https://ul.qucosa.de/api/qucosa%3A31944/attachment/ATT-0/
oai:qucosa:de:qucosa:31949
2021-03-29T10:59:00Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Gray, Kelman, Lochhead: Die ‘Glasgower Schule’ und die Renaissance der neueren schottischen Literatur
urn:nbn:de:bsz:15-qucosa2-319498
ger
0171-1695
Alasdair Gray, James Kelman, Liz Lochhead, Schottland, Literatur
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Institut für Englische Sprache und Literatur
2005
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31949
https://ul.qucosa.de/api/qucosa%3A31949/attachment/ATT-0/
oai:qucosa:de:qucosa:31945
2021-03-29T10:58:57Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Shades of Gray: The Peculiar Postmodernism of Alasdair Gray
urn:nbn:de:bsz:15-qucosa2-319457
eng
3-11-017722-6
Alasdair Gray, Postmodernism
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
De Gruyter
2003
info:eu-repo/semantics/publishedVersion
2018-10-18
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A31945
https://ul.qucosa.de/api/qucosa%3A31945/attachment/ATT-0/
oai:qucosa:de:qucosa:32029
2021-03-29T10:59:45Z
qucosa:ubl
doc-type:book
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Kelman writes back: Literacy Politics in the Work of a Scottish Writer
urn:nbn:de:bsz:15-qucosa2-320294
eng
urn:nbn:de:bsz:15-qucosa2-320282
qucosa:32028
The books in this new series suggest that we live in an exciting age of
explorations. We now have the great opportunity to chart the
territories between disciplines and cultures, to map forgotten or as yet
undiscovered areas of thought, culture and writing. The monographs
and collections from Leipzig try to break out of unproductive
oppositions say between East and West, North and South, humanities
and sciences, or academic discourse and journalism. Instead we are
encouraging the emergence of triangular constellations, such as
between Newfoundland, Scotland and West Africa, or between
travelogue, science and women’s writing, or between alchemy,
prehistory and bicycles. Pioneer studies on contemporary authors will
be another asset of this series. The focus of Leipzig Explorations is on
literatures in English, albeit with a strong emphasis on comparative
and interdisciplinary studies. We particularly encourage essayistic
writing that combines academic knowledge with passion and
curiosity.
Kelman, culture, writing, Leipzig
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Galda and Wilch
1999
info:eu-repo/semantics/publishedVersion
2018-10-25
Leipzig explorations in literature and culture
info:eu-repo/semantics/openAccess
doc-type:book
info:eu-repo/semantics/book
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32029
https://ul.qucosa.de/api/qucosa%3A32029/attachment/ATT-0/
oai:qucosa:de:qucosa:32031
2021-03-29T10:59:47Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Dichtung und (historische) Wahrheit: Das viktorianische Zeitalter in Alasdair Grays Roman 'Poor Things'
urn:nbn:de:bsz:15-qucosa2-320312
ger
0176-3733
Alsdair Gray, Viktorianismus, Gegenwart, Historie, Wahrheit
info:eu-repo/classification/ddc/820
ddc:820
801.93
Böhnke, Dietmar
Joh. Brendow & Sohn Verlag GmbH
1997
info:eu-repo/semantics/publishedVersion
2018-10-25
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32031
https://ul.qucosa.de/api/qucosa%3A32031/attachment/ATT-0/
oai:qucosa:de:qucosa:32036
2021-03-29T10:59:50Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Science Fiction and/or Scottish Fiction?: The Ambiguous ‘SF’ of Alasdair Gray in the Context of the ‘Two Cultures’ Debate
urn:nbn:de:bsz:15-qucosa2-320364
eng
978-3-631-34640-2
Science Fiction, Alasdair Gray, Scotland
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Peter Lang
2000
info:eu-repo/semantics/publishedVersion
2018-10-25
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32036
https://ul.qucosa.de/api/qucosa%3A32036/attachment/ATT-0/
oai:qucosa:de:qucosa:32032
2021-03-29T10:59:47Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Screening the Victorians: Representations of the Victorian Age in Contemporary British Films
urn:nbn:de:bsz:15-qucosa2-320326
eng
978-3-88849-254-9
Media, Culture, Victorians
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Karl Stutz Verlag
2006
info:eu-repo/semantics/publishedVersion
2018-10-25
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32032
https://ul.qucosa.de/api/qucosa%3A32032/attachment/ATT-0/
oai:qucosa:de:qucosa:32037
2021-03-29T10:59:51Z
qucosa:ubl
doc-type:book
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Shades of Gray: Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray
urn:nbn:de:bsz:15-qucosa2-320371
eng
urn:nbn:de:bsz:15-qucosa2-320282
qucosa:32028
Science Fiction, Alasdair Gray, Literature
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Galda und Wilch
2004
info:eu-repo/semantics/publishedVersion
2018-10-25
Leipzig explorations in literature and culture
info:eu-repo/semantics/openAccess
doc-type:book
info:eu-repo/semantics/book
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32037
https://ul.qucosa.de/api/qucosa%3A32037/attachment/ATT-0/
oai:qucosa:de:qucosa:32038
2021-03-29T10:59:52Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Neo-Victorianism: The Victorian Age in Postmodern British Fiction and Film
urn:nbn:de:bsz:15-qucosa2-320388
eng
978-3-89626-939-3
Neo-Victorianism, Postmodern, British, Fiction, Film
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
trafo
2010
info:eu-repo/semantics/publishedVersion
2018-10-25
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32038
https://ul.qucosa.de/api/qucosa%3A32038/attachment/ATT-0/
oai:qucosa:de:qucosa:32035
2021-03-29T10:59:50Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Liz Lochhead, 'Mary Queen of Scots Got Her Head Chopped Off' (1987)
urn:nbn:de:bsz:15-qucosa2-320350
eng
978-3-88476-854-9
Liz Lochhead, drama
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Wissenschaftlicher Verlag
2006
info:eu-repo/semantics/publishedVersion
2018-10-25
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A32035
https://ul.qucosa.de/api/qucosa%3A32035/attachment/ATT-0/
oai:qucosa:de:qucosa:34290
2021-03-29T11:17:45Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Konferenzbericht “British Film 2000–2010: Crossing Borders, Transferring Cultures: University of Mainz at Germersheim, 19–21 February 2010
urn:nbn:de:bsz:15-qucosa2-342901
eng
1743-4521
British Film, Cinema, Proceedings
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
University Press
2010
info:eu-repo/semantics/publishedVersion
2019-06-20
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34290
https://ul.qucosa.de/api/qucosa%3A34290/attachment/ATT-0/
oai:qucosa:de:qucosa:34295
2021-03-29T11:17:49Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Eine neue Renaissance?: Anmerkungen zur schottischen Gegenwartsliteratur
urn:nbn:de:bsz:15-qucosa2-342954
ger
0947-1286
Schottland, Gegenwartsliteratur
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Literarische Arena e.V.
2006
info:eu-repo/semantics/publishedVersion
2019-06-20
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34295
https://ul.qucosa.de/api/qucosa%3A34295/attachment/ATT-0/
oai:qucosa:de:qucosa:34485
2021-03-29T11:19:01Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Nadine Christina Böhm: Sakrales Sehen. Strategien der Sakralisierung im Kino der Jahrtausendwende. Bielefeld 2009 (Rezension)
urn:nbn:de:bsz:15-qucosa2-344855
ger
0944-9094
Rezension zu Nadine Christina Böhm, Sakrales Sehen. Strategien der Sakralisierung im Kino der Jahrtausendwende (Bielefeld: transcript, 2009)
Rezension, Sakralisierung, Kino, Jahrtausendwende
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Königshausen & Neumann
2012
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34485
https://ul.qucosa.de/api/qucosa%3A34485/attachment/ATT-0/
oai:qucosa:de:qucosa:34483
2021-03-29T11:19:00Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Doris Feldmann und Christian Krug (Hrsg.): Viktorianismus. Eine literatur- und kulturwissenschaftliche Einführung. Berlin 2013 (Rezension)
urn:nbn:de:bsz:15-qucosa2-344831
ger
0003-8970
Rezension zu Doris Feldmann und Christian Krug (Hrsg.): Viktorianismus. Eine literatur- und kulturwissenschaftliche Einführung (Berlin: Erich Schmidt Verlag, 2013)
Rezension, Viktorianismus, Einführung
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Erich Schmidt Verlag
2015
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34483
https://ul.qucosa.de/api/qucosa%3A34483/attachment/ATT-0/
oai:qucosa:de:qucosa:34488
2021-03-29T11:19:02Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Eckart Voigts, Barbara Schaff und Monika Pietrzak-Franger (Hrsg.): Reflecting on Darwin. Farnham 2014 (Rezension)
urn:nbn:de:bsz:15-qucosa2-344881
ger
0340-5222
Rezension zu Eckart Voigts, Barbara Schaff und Monika Pietrzak-Franger, Hg., Reflecting on Darwin (Farnham, Surrey: Ashgate, 2014)
Charles Darwin, Rezension
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
De Gruyter
2016
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34488
https://ul.qucosa.de/api/qucosa%3A34488/attachment/ATT-0/
oai:qucosa:de:qucosa:34489
2021-03-29T11:19:03Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Alyce von Rothkirch: The Place of Wales. Staging Place in Contemporary Welsh Drama in English. Trier 2007 (Rezension)
urn:nbn:de:bsz:15-qucosa2-344892
ger
0947-0034
Rezension zu Alyce von Rothkirch: The Place of Wales. Staging Place in Contemporary Welsh Drama in English (Trier : WVT, 2007)
Wales, Drama, Rezension
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Universitätsverlag Winter
2010
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34489
https://ul.qucosa.de/api/qucosa%3A34489/attachment/ATT-0/
oai:qucosa:de:qucosa:34493
2021-03-29T11:19:06Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Scots and Saxons: Notes on an Unfinished Project, or: Conspicuous VerSchwendung
urn:nbn:de:bsz:15-qucosa2-344930
ger
978-3-9400-7592-5
Kulturkontakte, Aufsatzsammlung
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Edition Hamouda
2014
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34493
https://ul.qucosa.de/api/qucosa%3A34493/attachment/ATT-0/
oai:qucosa:de:qucosa:34494
2021-03-29T11:19:06Z
qucosa:ubl
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Martin Simpson, “Grablegung und Auferstehung” (Übersetzung)
urn:nbn:de:bsz:15-qucosa2-344949
ger
0940-2306
Martin Simpson, Grablegung, Auferstehung, Übersetzung
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Isele
1995
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34494
https://ul.qucosa.de/api/qucosa%3A34494/attachment/ATT-0/
oai:qucosa:de:qucosa:34492
2021-03-29T11:19:05Z
qucosa:ubl
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Einleitung: Kulturen, Kontakte, Charaktere … and Congratulatory Complications
urn:nbn:de:bsz:15-qucosa2-344928
ger
978-3-9400-7592-5
Kulturkontakte, Aufsatzsammlung
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
Hofmeister, Frauke
Edition Hamouda
2014
info:eu-repo/semantics/publishedVersion
2019-07-11
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A34492
https://ul.qucosa.de/api/qucosa%3A34492/attachment/ATT-0/
oai:qucosa:de:qucosa:34662
2021-03-29T11:19:39Z
qucosa:ubc
doc-type:Periodical
open_access
ddc:050
ddc:740
ddc:820
openaire
Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
urn:nbn:de:bsz:ch1-qucosa2-346621
2629-8392 (online)
2629-8384 (print)
eng
qucosa:34663
qucosa:76093
qucosa:72086
TURNING PAGES is an annual magazine of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, and poetry, as well as in play excerpts, drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university.
Creative Writing, Original Writing, Poetry, Prose, Drama, Drawing, Image
info:eu-repo/classification/ddc/820
ddc:820
info:eu-repo/classification/ddc/740
ddc:740
info:eu-repo/classification/ddc/050
ddc:050
info:eu-repo/classification/ddc/052
ddc:052
Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
Sandten, Cecile
Beck, Mandy
Technische Universität Chemnitz, Philosophische Fakultät, Institut für Anglistik / Amerikanistik (IAA), Professur Anglistische Literaturwissenschaft
Universitätsverlag Chemnitz
2019-11-27
info:eu-repo/semantics/openAccess
doc-type:Periodical
info:eu-repo/semantics/Periodical
doc-type:Collection
https://monarch.qucosa.de/id/qucosa%3A34662
oai:qucosa:de:qucosa:34663
2020-12-07T09:16:19Z
qucosa:ubc
doc-type:PeriodicalPart
doc-type:Text
open_access
ddc:740
ddc:820
status-type:publishedVersion
openaire
Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
urn:nbn:de:bsz:ch1-qucosa2-346637
2629-8392 (online)
2629-8384 (print)
eng
urn:nbn:de:bsz:ch1-qucosa2-346621
qucosa:34662
TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university.
TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people.
The first issue of TURNING PAGES features a range of texts and artworks, including first-time writers as well as professional writers, such as Michael Augustin, Sujata Bhatt, Stephen Collis, Ian Watson and the renowned Belfast theatre company Play It By Ear.
Creative Writing, Original Writing, Poetry, Prose, Drama, Drawing, Image
info:eu-repo/classification/ddc/820
ddc:820
info:eu-repo/classification/ddc/740
ddc:740
Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
Sandten, Cecile
Beck, Mandy
Technische Universität Chemnitz, Philosophische Fakultät, Institut für Anglistik / Amerikanistik (IAA), Professur Anglistische Literaturwissenschaft
Universitätsverlag Chemnitz
info:eu-repo/semantics/publishedVersion
2019-11-27
info:eu-repo/semantics/openAccess
doc-type:PeriodicalPart
info:eu-repo/semantics/PeriodicalPart
doc-type:Text
https://monarch.qucosa.de/id/qucosa%3A34663
https://monarch.qucosa.de/api/qucosa%3A34663/attachment/ATT-0/
https://monarch.qucosa.de/api/qucosa%3A34663/attachment/ATT-1/
oai:qucosa:de:qucosa:36417
2021-03-27T17:33:39Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Slightly Quixotic: Comic Strategies, Sexual Role Stereotyping and the Functionalization of Femininity in David Lodge's Trilogy of Campus Novels under Special Consideration of 'Nice Work' (1988)
urn:nbn:de:bsz:14-qucosa2-364175
eng
0340-5222
1865-8938
10.1515/ANGL.2007.465
In view of the fact that David Lodge’s campus novels are renowned for their ability to make light of traditional gender stereotypes as well as for their purportedly liberal, pro-feminist, intertexual, dialogical and metatextual dimensions, this article seeks to explore more precisely the strategic and unavowedly political functions humour and the comic fulfil in Changing Places, Small World and Nice Work. What will be demonstrated is that Lodge’s light-hearted, tolerant and at times even progressive liberalism is little more than an effect produced by the textual surface structure. In the case of Nice Work, this discrepancy between the surface and the deep structure leads to the paradox that while voyeuristic structures and male bonding are overtly ridiculed, on a deep structural level they are effectively reaffirmed. Though Lodge’s novels are at the level of their surface structure sustained by a logic which uses the “comic mode” as a more or less subtle form to critique traditional gender stereotypes, literary conventions, the British university system and British industry, ultimately his ‘Rummidge trilogy’ reinforces an aesthetically, morally and politically conservative subtext.
use of humour, comic mode, gender stereotyping, feminism, campus novel
Verwendung von Humor, Comic-Modus, Geschlechterstereotypisierung, Feminismus, Campus-Roman
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
De Gruyter
2007
info:eu-repo/semantics/publishedVersion
2019-12-23
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A36417
https://tud.qucosa.de/api/qucosa%3A36417/attachment/ATT-0/
oai:qucosa:de:qucosa:36433
2021-03-27T17:33:39Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
“The sad, proud old man stared eternally out of his canvas...”: Media Criticism, Scopic Regimes and the Function of Rembrandt’s “Self-Portrait with Two Circles” in John Fowles’s Novel Daniel Martin
urn:nbn:de:bsz:14-qucosa2-364333
eng
0340-5222
1865-8938
10.1515/ang-2018-0069
On the surface level, Fowles’s novel sets the trust in the timelessness of art and the possibility of a recourse to some kind of ‘true self’ against American hyperreality. Though the novel’s verdict on the American scopic regime of simulacra is devastating, England’s morbid theatricality does not represent an alternative. However, a novel which criticizes visuality only to accord Rembrandt’s “Self- Portrait” a place of utmost importance necessarily runs into problems of self-contradiction: Rembrandt’s self-portrait refuses any one-dimensional functionalization and contains self-reflexive/revocative elements pertaining to its capitalist dimension and to the dangers of commodification/narcissism/serialization. Moreover, Rembrandt’s portrait is located at the centre of a whole series of mises en abyme and contains significant autotelic elements which link it with the criticized American scopic regime, question its representational dimension by stressing the pure materiality of the work of paint and revoke Fowles’s novel and its didactic media-theoretical underpinnings.
media criticism, scopic regimes, self-portraiture, John Fowles, Rembrandt
Medienkritik, skopische Regime, Selbstporträt, John Fowles, Rembrandt
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
De Gruyter
2018
info:eu-repo/semantics/publishedVersion
2019-12-23
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A36433
https://tud.qucosa.de/api/qucosa%3A36433/attachment/ATT-0/
oai:qucosa:de:qucosa:36554
2021-01-22T09:57:21Z
qucosa:tud
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:acceptedVersion
openaire
“Joseph the dreamer of dreams”
urn:nbn:de:bsz:14-qucosa2-365542
eng
978-90-04-29899-6
978-90-04-29900-9
10.1163/9789004299009
Jude the Obscure is not only Thomas Hardy´s last but probably also his bleakest novel. Even the epigram on the frontispiece - 'The letter killeth [but the spirit giveth life]' - can be read as having negative forebodings; it can, however, also be interpreted as a commentary on the 'nature' of language and on the absolute necessity of understanding its founding mechanisms such as absence, difference and deferral if one is to lead a happy and meaningful life and if one endeavors to claim the freedom and the responsibility to construct one´s gender identity. This essay thus centers on the extent to which Hardy´s protagonist Jude Fawley, a man who desperately clings to the illusion of a transcendental signified, is able to understand and put into practice Hardy´s epigram when constructing his masculinity. Therefore, the focus of inquiry will be the hitherto largely neglected discursive construction of an ill-fated male gender identity in a discursive universe where 'nobody did come, because nobody does' and where taking words literally has lethal consequences.
Masculinity, gender construction, Jude the Obscure
Männlichkeit, Geschlechterkonstruktion, Jude the Obscure
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Brill | Rodopi
2015
info:eu-repo/semantics/acceptedVersion
2020-07-27
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A36554
https://tud.qucosa.de/api/qucosa%3A36554/attachment/ATT-0/
oai:qucosa:de:qucosa:36608
2021-01-22T09:53:39Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Zur Bedeutung der Internationalen Gotik für John Fowles' Novelle “The Ebony Tower”: Pisanello, Uccello und die Darstellung der Natur
urn:nbn:de:bsz:14-qucosa2-366084
ger
0947-0034
2625-2147
Wie kein anderer Text des englischen Romanciers und Essayisten John Fowles ist 'The Ebony Tower' von Gemälden geprägt. Die Novelle verweist auf ihren 104 Seiten auf über vierzig Maler sowie auf die verschiedensten Maltechniken und Kunstrichtungen. Von zentraler Bedeutung ist hierbei die Stilrichtung der Internationalen Gotik, die durch Gemälde von Antonio Pisano (1395-1455), genannt Pisanello, sowie von Paolo di Dono (1397-1475), genannt Uccello, vertreten ist. Henry Breasley, weltberühmter Maler, magus in bezug auf den Leser sowie den Novizen und 'malenden Theoretiker' David Williams und in gewisser Weise auch Sprachrohr von Fowles, bezieht sich diskursiv sowie piktural, beispielsweise in seiner sehr erfolgreichen 'last-period series', gleich mehrfach implizit und explizit auf die beiden Italiener. Diesen kommt somit eine Schlüsselstellung nicht nur für die Interpretation von Breasleys Bildern, sondern auch für die von Fowles in 'The Ebony Tower' propagierte Kunst- und Lebensauffassung zu.
John Fowles, Novelle, Gemälden, Internationale Gotik, Antonio Pisano, Paolo di Dono
John Fowles, Novella, Paintings, International Gothic, Antonio Pisano, Paolo di Dono
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Winter
2000
info:eu-repo/semantics/publishedVersion
2020-03-16
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A36608
https://tud.qucosa.de/api/qucosa%3A36608/attachment/ATT-0/
oai:qucosa:de:qucosa:36973
2020-12-15T10:24:01Z
qucosa:tud
doc-type:book
doc-type:Text
open_access
ddc:420
ddc:820
status-type:publishedVersion
openaire
Masculinities: Konzeptionen von Männlichkeit im Werk von Thomas Hardy und D.H. Lawrence
urn:nbn:de:bsz:14-qucosa2-369739
3-8233-6170-8
ger
Psychiater: 'Amerikas Jungen in der Krise', titelt Die Welt am 2. Juni 1998 und ruft unter Bezug auf den Psychiater William Pollock von der Harvard University 'eine nationale Krise des Knabenalters' aus. Nachdem '[j]ahrelang (...) in den USA die Förderung von Mädchen Priorität' hatte, offenbaren die Statistiken nun eine erschütternde Bilanz: 'Im Pubertätsalter begehen in den USA fünfmal so viele Jungen wie Mädchen Selbstmord. Jungen machen 90 Prozent der Disziplinarfälle aus und brechen viermal häufiger die Schule ab.'
Während es unter männlichen Jugendlichen zu immer mehr Gewalttaten, wie beispielsweise der weltweit durch die Medien gegangenen Serie von Bluttaten an amerikanischen Schulen kommt, die 2002 in einem Film wie Bowling for Columbine sogar noch einen künstlerisch-kritischen Ausdruck findet, und sich Deutschland noch von den Schockwellen des Erfurter Massakers erholt, leiden nach einer in L'Actualité médicale publizierten kanadischen Studie im Kindes- und Jugendalter deutlich mehr Männer als Frauen an Beeinträchtigungen beziehungsweise Erkrankungen.
Thomas Hardy, D.H. Lawrence, Männlichkeit
Thomas Hardy, D.H. Lawrence, masculinity
info:eu-repo/classification/ddc/420
ddc:420
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Gunter Narr Verlag
2006
info:eu-repo/semantics/publishedVersion
2020-03-12
info:eu-repo/semantics/openAccess
doc-type:book
info:eu-repo/semantics/book
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A36973
https://tud.qucosa.de/api/qucosa%3A36973/attachment/ATT-0/
oai:qucosa:de:qucosa:37379
2021-01-22T09:53:30Z
qucosa:tud
doc-type:bookPart
doc-type:Text
open_access
ddc:420
ddc:820
status-type:publishedVersion
openaire
Cruelty and Love, or: What Does lt Take To Be a Man?
urn:nbn:de:bsz:14-qucosa2-373798
ger
0947-0034
In der Literaturkritik gilt D.H. Lawrence als ebenso bedeutender wie streitbarer Autor von Romanklassikern wie Lady Chatterley's Lover, Women in Love oder The Rainbow. Durch das Aufkommen der gender studies existiert zudem eine nur schwer überschaubare Anzahl von Studien, die der Rolle der Sexualität sowie der Geschlechterkonzeption im Romanwerk von Lawrence gewidmet sind. Doch so klar die Literaturkritik diese Problematik erfaßt hat, so klar hat sie im Vergleich dazu - wenn auch mit Ausnahmen - Lawrences nicht nur zahlenmäßig großes lyrisches Werk ignoriert. Diese relative Vernachlässigung durch die Forschung ist um so erstaunlicher, als sich in Lawrences Lyrik viele Grundthesen, die er in seinen Romanen auf Hunderten von Seiten durchspielt, oft in extrem konziser Form finden. Wichtige Teile seiner 'Geschlechter-Philosophie' werden durch die Lyrik sogar antizipiert.
D.H. Lawrence, Lyrik, Geschlechterkonzeption, Dualismus
info:eu-repo/classification/ddc/420
ddc:420
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Universitätsverlag Winter
2002
info:eu-repo/semantics/publishedVersion
2020-03-10
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A37379
https://tud.qucosa.de/api/qucosa%3A37379/attachment/ATT-0/
oai:qucosa:de:qucosa:37380
2021-01-22T09:53:30Z
qucosa:tud
doc-type:bookPart
doc-type:Text
open_access
ddc:420
ddc:820
status-type:publishedVersion
openaire
Daniel Martin, America, Faith in Fakes / Travels in Hyperreality und das Verschwinden der Realität: Überlegungen zum antizipatorischen Potential von Literatur
urn:nbn:de:bsz:14-qucosa2-373804
ger
3-8233-6097-3
‘Caution: Objects in this mirror may be closer than they appear!' liest man nicht nur als Aufkleber auf zahlreichen Rückspiegeln, auch Jean Baudrillard bedient sich dieser Warnung in seiner umstrittenen 'Studie' America. Überträgt man diesen Appell zur Vorsicht auf die Literatur und ganz konkret auf den kontemporären Roman, so könnte dies bedeuten, daß sich lebensweltliche Prozesse - und im vorliegenden Fall: Modernisierungsprozesse - wesentlich schneller literarisch niederschlagen, als gemeinhin angenommen wird. Sollte das schon so häufig totgesagte Medium Buch, sollte der in Zeiten des Internet und der Echtzeitübertragung so unendlich langsam erscheinende seitenstarke Roman, sollte die Literatur sich nun plötzlich selbst als 'schnelles' Medium entpuppen, das ebenso sensibel wie unverzüglich auf außerliterarische Ereignisse reagiert?
antizipatorischen Potential, Reflexion, Modernisierungsprozess, englische Prosa
info:eu-repo/classification/ddc/420
ddc:420
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Gunter Narr Verlag
2004
info:eu-repo/semantics/publishedVersion
2020-03-10
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A37380
https://tud.qucosa.de/api/qucosa%3A37380/attachment/ATT-0/
oai:qucosa:de:qucosa:38561
2021-01-22T09:56:13Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Typological Interference in Information Structure: The Case of Topicalization in Asia
urn:nbn:de:bsz:14-qucosa2-385618
eng
0044-2305
2196-4726
10.1515/zaa-2017-0029
Topicalization refers to the sentence-initial placement of constituents other than the subject and is often listed as a non-canonical construction [cf. Ward, Gregory, Betty J. Birner and Rodney Huddleston (2002). “Information Packaging.” Rodney Huddleston and Geoffrey K. Pullum, eds. The Cambridge Grammar of the English Language. Cambridge: Cambridge University Press, 1363–1447.]. In this paper, tokens of topicalization in the direct conversations in the International Corpus of English for Hong Kong and India and, for comparison, Great Britain are analysed. In order to find out if topicalization is a contact-induced feature, typological profiles with regard to topic-prominence [Li, Charles N. and Sandra A. Thompson (1976). “Subject and Topic: A New Typology of Language.” Charles N. Li, ed. Subject and Topic. New York: Academic Press, 457–489.] are created for three Indo-Aryan, three Dravidian and two Sinitic languages. I suggest that the low frequencies of topicalization in Hong Kong English and the high frequencies of topicalization in Indian English are primarily due to differences in intensity of contact [Thomason, Sarah G. (2001). Language Contact. Washington, D.C.: Georgetown University Press.] and variety development [Schneider, Edgar W. (2007). Postcolonial English. Varieties Around the World. Cambridge: Cambridge University Press.]. Typological interference at the level of information structure is assumed to only come to the fore in further developed varieties and after prolonged contact.
Thematisierung in nicht einheimischen Varianten des Englischen, nicht-kanonische Konstruktion, Internationaler Korpus der englischen Sprache für Hongkong und Indien
topicalization in non-native varieties of English, non-canonical construction, International Corpus of English for Hong Kong and India
info:eu-repo/classification/ddc/820
ddc:820
Leuckert, Sven
De Gruyter
2017
info:eu-repo/semantics/publishedVersion
2020-06-23
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A38561
https://tud.qucosa.de/api/qucosa%3A38561/attachment/ATT-0/
oai:qucosa:de:qucosa:38569
2021-01-22T09:56:13Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
“Keep that Fan Mail Coming.”: Ceremonial Storytelling and Audience Interaction in a US Soldier’s Milblog
urn:nbn:de:bsz:14-qucosa2-385690
eng
0044-2305
2196-4726
10.1515/zaa-2014-0018
The wars in Afghanistan and Iraq initiated a surge of texts by US soldiers who utilized recent Web 2.0 technology to forge new types of war narratives, such as the so-called “milblogs.” Milblogs merge letter and journal writing with journalistic reporting, and they maintain contact between soldiers and their social environment. They are at once public and private communication. Military psychology since Vietnam has referred to warrior traditions of Native American communities to discuss public narration and ceremonial acknowledgment of a soldier’s war experience as vital elements for veteran readjustment and trauma recovery. This article analyzes an exemplary milblog to argue that the interaction between blogger and audience does similar cultural work and has comparable ceremonial and, therefore, therapeutic functions: Soldiers publicly share their experience, reflect on it with their audience, receive appreciation and support, and thus mutually (re-)negotiate group identity.
Analyse Milblog, Kontext zwischen Soldaten und sozialem Umfeld, militärische Psychologie
Analysis Milblog, context between soldiers and social environment, military psychology
info:eu-repo/classification/ddc/820
ddc:820
Usbeck, Frank
De Gruyter
2014
info:eu-repo/semantics/publishedVersion
2020-06-23
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A38569
https://tud.qucosa.de/api/qucosa%3A38569/attachment/ATT-0/
oai:qucosa:de:qucosa:38631
2020-10-23T06:55:18Z
qucosa:tud
doc-type:doctoralThesis
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Orality in Medieval Drama: Speech-Like Features in the Middle English Comic Mystery Plays
urn:nbn:de:bsz:14-qucosa2-386315
1733987762
eng
Da die historische Sprachwissenschaft ausschließlich über geschriebene Texte als Datenbasis verfügt, wurden insbesondere im Forschungsgebiet der historischen Pragmatik bestimmte Genres identifiziert, die Aufschluss über die Sprechsprachlichkeit vergangener Sprachstufen bieten können. Dem dramatischen Genre der Komödie wird in der sprachhistorischen Forschung eine besondere Nähe zur gesprochenen Sprache zugesprochen.
Das Korpus dieser Dissertation umfasst insgesamt 46 Stücke der spätmittelenglischen Mystery Plays, die biblische Episoden von der Erschaffung der Welt bis zum Jüngsten Gericht (komisch) in Szene setzen. Neben der quantitativen und qualitativen Analyse von acht nähesprachlichen Merkmalen (u. a. Anredepronomina, Fragen, Diskursmarker) beinhaltet die Arbeit eine Klassifizierung der komischen Szenen in den Mystery Plays sowie eine Untersuchung der literatur- und kulturhistorischen Kontextfaktoren, die eine Annäherung an Sprechsprachlichkeit in den Texten bedingt haben könnten.:1 Introduction
1.1 Premises and aims
1.2 Outline of the study
2 Comedy play texts as a speech-related genre
2.1 Speech-like genres and 'communicative immediacy'
2.2 Play texts vs. 'real' spoken discourse
2.3 Conclusions
3 'Comedy' in the mystery cycles
3.1 The medieval sense of 'comedy'
3.2 Medieval attitudes to laughter
3.3 Laughter and the comic in the mystery cycles
3.3.1 Humiles personae – sympathetic laughter
3.3.2 Divine triumph over evil – Schadenfreude
3.3.3 Funny games of violence – grim irony
3.4 The potential for 'communicative immediacy' in the mystery 'comedies'
3.4.1 Context and sources
3.4.2 Stylistic guidelines
3.5 Conclusions
4 Speech-like features in the mystery 'comedies'
4.1 Methodological premises
4.1.1 The data
4.1.2 Speech-like characteristics and linguistic features
4.1.3 Challenges and obstacles
4.2 Interactivity in pronominal address – (im)politeness, power and dominance
4.2.1 Second-person pronouns
4.2.1.1 Overall distribution
4.2.1.2 Family relationships
4.2.1.3 'Official' relationships
4.2.1.4 A special case: address in funny games of violence
4.2.2 Summary
4.3 Interactivity in pair structures – cooperation and conflict
4.3.1 Questions
4.3.1.1 Overall distribution
4.3.1.2 Functional analysis
4.3.1.3 Discussion of results
4.3.2 Imperatives
4.3.2.1 Overall distribution
4.3.2.2 Functional analysis
4.3.2.3 Discussion of results
4.3.3 Lexical repetition
4.3.3.1 Overall distribution
4.3.3.2 Functional Analysis
4.3.3.3 Discussion of results
4.3.4 Turn-initial discourse markers
4.3.4.1 Overall distribution
4.3.4.2 Interactional uses
4.3.4.3 Discussion of results
4.3.5 Summary
4.4 Features of sharedness and function – emotion and emphasis
4.4.1 Interjections
4.4.1.1 Overall distribution
4.4.1.2 Emotive-expressive uses
4.4.1.3 A special case: swearing
4.4.2 Vocatives: Terms of endearment and abuse
4.4.2.1 Overall distribution
4.4.2.2 Analysis
4.4.3 Demonstrative pronouns and deictic reference
4.4.3.1 Overall distribution
4.4.3.2 Analysis
4.4.4 Summary
4.5. Discussion: Speech-like features in the Middle English mystery plays
5 Final remarks
6 Bibliography
7 List of abbreviations
8 List of tables
9 List of figures
Komödie, Nähesprachlichkeit, Mystery Plays
comedy, orality, mystery plays
info:eu-repo/classification/ddc/820
ddc:820
Einmahl, Christiane
Schaefer, Ursula
Kuße, Holger
Johnston, Andrew James
Technische Universität Dresden
2019-05-16
2019-12-02
info:eu-repo/semantics/publishedVersion
2020-03-04
info:eu-repo/semantics/openAccess
doc-type:doctoralThesis
info:eu-repo/semantics/doctoralThesis
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A38631
https://tud.qucosa.de/api/qucosa%3A38631/attachment/ATT-0/
oai:qucosa:de:qucosa:38725
2021-01-22T09:53:38Z
qucosa:tud
doc-type:bookPart
doc-type:Text
open_access
ddc:420
ddc:820
status-type:publishedVersion
openaire
Überkreuzungsphänomene oder die Differenz in der Differenz: Nahrung, Grenzauflösung, Inkorporation und die Macht des Abjekts in The Virgin and the Gipsy
urn:nbn:de:bsz:14-qucosa2-369850
ger
3-8233-5655-0
‘Der Magen ist die erste Lampe, auf die Öl gegossen werden muss. Sein Sehnen ist genau, sein Trieb so unvermeidlich, dass er nicht einmal lange verdrängt werden kann', schreibt Ernst Bloch, doch seine Aussage greift nicht nur aus psychoanalytischer Sicht zu kurz. Friedrich Nietzsche sieht in 'Essenordnungen' prinzipiell 'Offenbarungen über Kulturen', und natürlich hat Nahrung nicht nur einen körperlich-materiellen, sondern auch einen psychisch-soziokulturellen Aspekt. Nicht ohne Grund besitzen die 'sozialen oder erlernten Aspekte des Ernährungsverhaltens [...] eine größere Zähigkeit oder Konstanz als die biologisch-natürlichen'. Warum sich der Magen 'leichter als der Kopf an neue Speisen' gewöhnt und warum Ernährung keineswegs nur ein 'biochemisches Problem des Stoffwechsels' ist, sondern als ein 'soziales Totalphänomen' aufgefasst werden muss, verdeutlicht D.H. Lawrences Novelle The Virgin and the Gipsy u.a. anhand dessen, was man als ein ebenso elaboriertes wie ambivalentes kulturelles System der Küche bezeichnen kann.
Nahrungsaufnahme, Genuss, D.H. Lawrence, Sozialritual
Food intake, enjoyment, D.H. Lawrence, social ritual
info:eu-repo/classification/ddc/420
ddc:420
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Gunter Narr Verlag
2003
info:eu-repo/semantics/publishedVersion
2020-03-13
info:eu-repo/semantics/openAccess
doc-type:bookPart
info:eu-repo/semantics/bookPart
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A38725
https://tud.qucosa.de/api/qucosa%3A38725/attachment/ATT-0/
oai:qucosa:de:qucosa:71155
2021-01-22T09:57:04Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Beatrix Hesse. The English Crime Play in the Twentieth Century. Crime Files: Review
urn:nbn:de:bsz:14-qucosa2-711555
eng
0340-5222
1865-8938
10.1515/ang-2017-0035
In a 2014 episode of Toast of London, a highly successful Channel 4 sitcom, protagonist Steven Toast, a dim-witted London-based actor, joins the cast of legendary stage-play The Moose Trap, which is, of course, modelled on Agatha Christie’s successful West End whodunit, The Mousetrap. When Toast accidentally spoils the play’s ending during an interview, the play soon finds itself without an audience, which leads to some of the geriatric cast members literally dying on stage.
Verbrechen, England, 20. Jahrhundert, Kriminalliteratur
crime, England, 20th century, crime literature
info:eu-repo/classification/ddc/820
ddc:820
Schwanebeck, Wieland
De Gruyter
2017
info:eu-repo/semantics/publishedVersion
2020-07-14
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71155
https://tud.qucosa.de/api/qucosa%3A71155/attachment/ATT-0/
oai:qucosa:de:qucosa:71287
2021-01-22T09:57:04Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Tim William Machan. What is English? And Why Should We Care?: Reviews
urn:nbn:de:bsz:14-qucosa2-712871
eng
1865-8938
10.1515/ang-2014-0078
With the monograph What is English? – subtitled And Why Should We Care? – Tim William Machan has presented a difficult book. The dust jacket already prepares the prospective reader by stating that “Finding an account that fits the constantly changing varieties of English is, Tim Machan finds, anything but simple”. And this text continues: “But he [i.e. Machan] rises to the challenge, grappling with its elusive essence through episodes in its history.” It is the combination of a tremendous amount of information and the ‘episodic’ form of this monograph that makes this book quite challenging.
Englisch, Grammatik, Geschichte, Sprache
English, Grammar, History, Language
info:eu-repo/classification/ddc/820
ddc:820
Schaefer, Ursula
De Gruyter
2014
info:eu-repo/semantics/publishedVersion
2020-07-14
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71287
https://tud.qucosa.de/api/qucosa%3A71287/attachment/ATT-0/
oai:qucosa:de:qucosa:71293
2021-01-22T09:57:08Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
ddc:830
ddc:840
ddc:860
ddc:890
status-type:publishedVersion
openaire
Dathe, Claudia; Makarska, Renata; Schahadat, Schamma (Hg.). Zwischentexte. Literarisches Übersetzen in Theorie und Praxis.: Buchbesprechung
urn:nbn:de:bsz:14-qucosa2-712937
ger
1865-7249
10.1515/kl-2015-0021
Der Band fasst die Ergebnisse einer 2010 an der Universität Tübingen unter dem Titel „Literarisches Übersetzen: Texte, Autoren, Räume, Medien“ veranstalteten Ringvorlesung zusammen. Handelt es sich bei Claudia Dathe, Renata Makarska und Schamma Schahadat um dem slavischen Raum verbundene Herausgeberinnen, so verwundert nicht, dass Beiträgen aus dem Bereich der Slavistik der meiste Platz gewährt wird. Auf sie folgen die Romanistik, die Anglistik sowie die Sinologie und Rechtswissenschaft. Das Verhältnis von Theorie und Praxis ist ausgewogen. Sechs der zwölf Autoren sind selbst als Übersetzer tätig und widmen sich Fallbeispielen bzw. praktischen Problemen des Übersetzens.
Übersetzungen, Übersetzungstheorien, Übersetzungswissenschaft, Kulturen
translations, translation theories, translation studies, cultures
info:eu-repo/classification/ddc/830
ddc:830
info:eu-repo/classification/ddc/840
ddc:840
info:eu-repo/classification/ddc/860
ddc:860
info:eu-repo/classification/ddc/890
ddc:890
info:eu-repo/classification/ddc/820
ddc:820
Hultsch, Anne
De Gruyter
2015
info:eu-repo/semantics/publishedVersion
2020-07-15
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71293
https://tud.qucosa.de/api/qucosa%3A71293/attachment/ATT-0/
oai:qucosa:de:qucosa:71297
2021-01-22T09:57:17Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Non-Canonical Grammar!?
urn:nbn:de:bsz:14-qucosa2-712976
eng
0044-2305
10.1515/zaa-2017-0033
The papers collected in this special issue originated from a workshop held at the Annual Meeting of German University Teachers of English (Anglistentag) in Hamburg in September 2016. Contributors and participants at the workshop were invited to probe into the usefulness – and the limitations – of the notion noncanonical grammar for their respective fields of interest, and the present volume is a lively testimony to an engaging discussion.
nichtkanonische Grammatik, Anglisten, Sprachgebrauch, -variation und -änderung
noncanonical grammar, Anglists, language use, variation and modification
info:eu-repo/classification/ddc/820
ddc:820
Lange, Claudia
Rütten, Tanja
De Gruyter
2017
info:eu-repo/semantics/publishedVersion
2020-07-22
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71297
https://tud.qucosa.de/api/qucosa%3A71297/attachment/ATT-0/
oai:qucosa:de:qucosa:71360
2021-01-22T09:57:04Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Michael Johnston. Romance and the Gentry in Late Medieval England: Reviewed by Ursula Schaefer
urn:nbn:de:bsz:14-qucosa2-713602
eng
1865-8938
10.1515/ang-2016-0012
In the “Introduction” (1–20) Johnston identifies three “simultaneous developments” which the book should bring together: for one, the “gentry […] emerging into a distinct and quite numerous stratum within the aristocracy”; secondly, the “[r]omance adapt[ing] to this change, opening up a new ideological space for this new class of readers”; and, finally, “book production” – in particular: copying by booklets and the increasing use of paper – “conveniently facilitating provincial copying and circulation of provincially oriented texts”. These three developments, says Johnston, “coalesced to yield a new type of romance” which he dubs gentry romance (14). His aim is to show that the gentry had an active part in the late history of English romance as some of its members – literally – appropriated (specimens of) this genre “most closely related with the aristocracy” (15).
englische Romantik, Adel, Spätmittelalter, England
English romanticism, nobility, late middle ages, England
info:eu-repo/classification/ddc/820
ddc:820
Schaefer, Ursula
De Gruyter
2016
info:eu-repo/semantics/publishedVersion
2020-07-14
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71360
https://tud.qucosa.de/api/qucosa%3A71360/attachment/ATT-0/
oai:qucosa:de:qucosa:71362
2021-01-22T09:57:08Z
qucosa:tud
doc-type:article
doc-type:Text
open_access
ddc:820
ddc:830
ddc:840
ddc:860
ddc:890
status-type:publishedVersion
openaire
Winner, Thomas G. The Czech Avant-Garde Literary Movement Between the World Wars
urn:nbn:de:bsz:14-qucosa2-713620
ger
1865-7249
10.1515/kl-2015-0050
Thomas G. Winner (1917 in Prag geboren; ab 1939 in den USA; 2004 in Cambridge, Massachusetts gestorben) zählte zu den wichtigsten Vertretern der Semiotik in Amerika, gründete er doch an der Brown University das erste Semiotik-Zentrum der Vereinigten Staaten (Research Center for Semiotic Studies).1 Sein nicht minder großes, mit zunehmendem Alter noch wachsendes Interesse galt der tschechischen Avantgarde und dem Prager Strukturalismus,2 dem er in vorliegender Arbeit nicht nur auf inhaltlicher Ebene, sondern auch von seinem methodologischen Zugang her verpflichtet ist. Davon legt bereits ein kurzer Blick in die beigegebene Bibliographie (pp. 179–193) beredtes Zeugnis ab, in der neben Karel Teige, „the Breton of Czechoslovakia“ (p. 18), Roman Jakobson – er zählte zu Winners Lehrern, Freunden (p. 9) und seit 1975 auch Untersuchungsgegenständen – und Jan Mukařovský die am prominentesten vertretenen Autoren sind.
literarische Avantgarde-Bewegung, Tschechoslowakei, Zwischenkriegsavantgarde
Avant-Garde Literary Movement, Czechoslovakia, interwar avant-garde
info:eu-repo/classification/ddc/830
ddc:830
info:eu-repo/classification/ddc/840
ddc:840
info:eu-repo/classification/ddc/860
ddc:860
info:eu-repo/classification/ddc/890
ddc:890
info:eu-repo/classification/ddc/820
ddc:820
Hultsch, Anne
De Gruyter
2015
info:eu-repo/semantics/publishedVersion
2020-07-15
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://tud.qucosa.de/id/qucosa%3A71362
https://tud.qucosa.de/api/qucosa%3A71362/attachment/ATT-0/
oai:qucosa:de:qucosa:71722
2021-01-22T09:58:44Z
qucosa:tud
doc-type:bookPart
doc-type:Text
open_access
ddc:820
status-type:publishedVersion
openaire
Viralität, oder:: Vom kolonialen zum kolonisierten Körper in E.M. Forsters »A Passage to India« and beyond
urn:nbn:de:bsz:14-qucosa2-717228
ger
978-3-86110-327-1
Wie sehr offene, kreativ-metaphorische, vielleicht sogar alogische, stärker an Analogierelationen orientierte und weniger von ›männlicher Ratio‹ und festgefügten Vorannahmen ausgehende Denkansätze benötigt werden, um
Aussagen über unsere Wirklichkeit machen zu können, ist längst kein Geheimnis mehr: Wolfdietrich Schmied-Kowarzik argumentiert unter Bezugnahme auf Hegel, die Wirklichkeit sei »nicht von den denkenden Zugriffen der wissenschaftlichen Rationalität her zu erfassen, sondern nur dort, wo der Mensch das Scheitern seiner rationalen Zugriffe an sich selbst erfährt und sie radikal aufgibt«. Gilles Deleuze fordert, »das Undenkbare zu denken, dasjenige, was zu denken gibt, was wiederkehrt, insistiert, ohne jemals in einem bestimmten Gedanken ausgeschöpft werden zu können: das
Virtuelle.«:I N H A L T
Gudrun Loster-Schneider
»Laßt uns einen Nationalkarakter behaupten«. Einleitende Bemerkungen
zum Thema ›Nation und Geschlecht‹ . . . . . . . . . . . . . . . . . . . . . . . 9
Gabriele Birken-Silverman
Sprachliche Gefährdung der französischen Nation? Zur Debatte der
Feminisierung der NOMINA AGENTIS . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Gudrun Loster-Schneider
Von Amphibien und Zwittern, Mannweibern und Mauleseln. Nationalkulturelle
und sexuelle Hybridität in Heinrich von Kleists
»Die Verlobung in St. Domingo« . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Inge Wild
»O, Deutschland, meine ferne Liebe«. Exil, Eros und Gender in
Gedichten Heinrich Heines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Gaby Pailer (Vancouver)
Der Staatsdiener, der Staatsfeind und die gute Tochter. Gender und
Nation in Gabriele Reuters »Aus guter Familie« (1895) . . . . . . . . . . . 101
Stefan Horlacher
Viralität, oder: Vom kolonialen zum kolonisierten Körper in
E.M. Forsters »A Passage to India« and beyond . . . . . . . . . . . . . . . . 121
Hans-Peter Ecker (Bamberg)
Überleben in einem Land, das ein Weib ist. Geschlechtsideologische
Imaginationen des ›Deutschen‹ bei Thea von Harbou und Fritz Lang 155
Meinhard Winkgens
›Weiße‹ Identitätspolitik und die Apartheid: Zur Funktionalisierung
von race und gender in Doris Lessings »The Grass is Singing« . . . . . 171
Dagmar Burkhart
Weiblicher Kannibalismus als Chiffre. Zu Slavenka Drakulićs Roman
»Göttlicher Hunger« . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
E.M. Forster, A Passage to India, Women studies, Gender Studies, Literature
E.M. Forster, A Passage to India, Frauenforschung, Geschlechterforschung, Literatur
info:eu-repo/classification/ddc/820
ddc:820
Horlacher, Stefan
Röhrig Universitätsverlag
2003
info:eu-repo/semantics/publishedVersion
2020-09-14
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Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
urn:nbn:de:bsz:ch1-qucosa2-720865
2629-8392 (online)
2629-8384 (print)
eng
urn:nbn:de:bsz:ch1-qucosa2-346621
qucosa:34662
TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university.
TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people.
The second issue of TURNING PAGES includes a variety of foci, ranging from meta-poetic texts and stories, to graphic artworks and illustrations via themes of belonging in an ever-changing world, tracing one’s origins, conquering personal struggles, or dealing with current incidents like COVID-19 and self-isolation. This issue combines students from diverse fields and backgrounds with professional writers from all over the world, such as Srishti Chaudhary, Andreas Gloge, Ogaga Ifowodo, Harald Linke, and Ian Watson.
Creative Writing, Original Writing, Poetry, Prose, Drama, Drawing, Image
info:eu-repo/classification/ddc/820
ddc:820
info:eu-repo/classification/ddc/740
ddc:740
Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
Sandten, Cecile
Beck, Mandy
Technische Universität Chemnitz, Philosophische Fakultät, Institut für Anglistik / Amerikanistik (IAA), Professur Anglistische Literaturwissenschaft
Universitätsverlag Chemnitz
info:eu-repo/semantics/publishedVersion
2020-12-08
info:eu-repo/semantics/openAccess
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oai:qucosa:de:qucosa:76093
2021-11-04T10:23:45Z
qucosa:ubc
doc-type:PeriodicalPart
doc-type:Text
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Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
urn:nbn:de:bsz:ch1-qucosa2-760938
2629-8392 (online)
2629-8384 (print)
eng
urn:nbn:de:bsz:ch1-qucosa2-346621
qucosa:34662
TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university.
TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people.
The third issue of TURNING PAGES is about facing and overcoming personal struggles as well as the challenges of the present time by venturing out into public life again, after months of isolation and standstill. A range of contributions by professional and published authors such as Shanta Acharya, Ranu Uniyal, Andreas Gloge and Tobias Schlosser, but also a selection of pictures by photographers such as Natalie Bleyl and Martina Gloge enhances and complements the multifaceted textual and graphic pieces by students and first-time writers.
Creative Writing, Original Writing, Poetry, Prose, Drama, Drawing, Image
info:eu-repo/classification/ddc/820
ddc:820
info:eu-repo/classification/ddc/740
ddc:740
Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
Sandten, Cecile
Beck, Mandy
Technische Universität Chemnitz, Philosophische Fakultät, Institut für Anglistik / Amerikanistik (IAA), Professur Anglistische Literaturwissenschaft
Universitätsverlag Chemnitz
info:eu-repo/semantics/publishedVersion
2021-11-04
info:eu-repo/semantics/openAccess
doc-type:PeriodicalPart
info:eu-repo/semantics/PeriodicalPart
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oai:qucosa:de:qucosa:82449
2022-11-30T15:21:42Z
qucosa:tud
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open_access
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Rezension zu: Monika Fludernik. 2019. Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy. Law and Literature.
urn:nbn:de:bsz:14-qucosa2-824496
eng
1865-8938
10.1515/ang-2022-0024
The carceral, as Monika Fludernik had first observed in 1999, pervades our world, not only in the form of material sites of incarceration, but also in the metaphors we deploy in everyday conversation and in various text forms, including fictional and non-fictional narrative representations in different media and genres. In Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy (2019), the culmination of twenty years of work on the subject, Fludernik reiterates her 2005 definition of two main types of carceral metaphors: “prison is x” – describing and making sense of the prison and experiences of imprisonment; and “x is prison” – conceiving of other aspects of the social world in terms of incarceration (2019: 46).
Rezension, Literatur und Literaturtheorie
Review, Literature and Literary Theory
info:eu-repo/classification/ddc/820
ddc:820
Wächter, Cornelia
De Gruyter
2022
info:eu-repo/semantics/publishedVersion
2022-11-30
info:eu-repo/semantics/openAccess
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2023-01-26T12:21:02Z
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Eckart Voigts, Barbara Schaff and Monika Pietrzak-Franger (eds.). Reflecting on Darwin. Farnham: Ashgate, 2014, xii + 231 pp., 4 illustr., £ 95.00.
urn:nbn:de:bsz:15-qucosa2-830865
eng
0340-5222
Rezension, Reflecting on Darwin
info:eu-repo/classification/ddc/820
ddc:820
Böhnke, Dietmar
De Gruyter
2016
info:eu-repo/semantics/publishedVersion
2023-01-26
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A83086
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oai:qucosa:de:qucosa:83415
2023-02-07T13:42:18Z
qucosa:ubl
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open_access
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Editors’ Introduction: Black Studies– Paradigm Shifts
urn:nbn:de:bsz:15-qucosa2-834157
eng
0044-2305
Donald J. Trump, Black Studies
info:eu-repo/classification/ddc/820
ddc:820
Junker, Carsten
Löffler, Marie-Luise
De Gruyter
2017
info:eu-repo/semantics/publishedVersion
2023-02-07
info:eu-repo/semantics/openAccess
doc-type:article
info:eu-repo/semantics/article
doc-type:Text
https://ul.qucosa.de/id/qucosa%3A83415
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